A number of crowdfunding projects are ending soon, so check the links below! In our final segment we discuss the legitimacy and distinction of music created at dedicated music-crafting studios such as Dynamedion, Basiscape, and Vibe Avenue, compared to music created by individual composers or co-composers. We also explore the secret and unsettling "rule of 9." We carry on, as we do, to share with you the newest releases and cool projects to look out for. Jeremy makes the case for the game's mix of film score and era music, why it was one of his favored releases last year, and how it ties to his weirdly-musically-nerdy childhood. We then proceed to Jeremy's pick of Anno 1800, from Black Screen records and Ubisoft Loud.
We're careful to listen to this one at the requisite 45 RPM, because otherwise things could get a bit. We discuss the automotive history of the game, as well as developer NanaOn-Sha's other works, more well-known and less. The Vib soundtrack, co-conceived by Masaya Matsuura and a JPop band called Laugh and Peace, represents a level and style of quirk that we just don't see in many places, and the new pressing does it great justice. This episode focuses on a little sound and a little culture! We begin with Anthony's selection of Vib Ribbon, by Minimum Records. But here we are, showing up to hang out in the corner like the weird wallflowers we are, discussing games, game music, vinyl records, game music on vinyl records etc etc. Show notes and gallery: In the eternal dance of sound and culture, one podcast's card is always full: someone who is a lot less niche-driven than us.
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